Renato Falerni

Plies I (from Music for Ballet)

SM-000537259
ComposerMarco Sala
PublisherDoReFa Edizioni Musicali
Genre Classical / Instrumental
Instrumentation Piano
Scored forSolo
Type of scoreFor a single performer
Movement(s) 2 to 2 from 48
Duration 1'45"
Difficulty Medium
Year of composition 2008
Description:
MUSIC FOR BALLET

BARRE

1. TRAINING EXERCISE
2. PLIES I
3. PLIES II
4. BATTEMENTS TENDUS I
5. BATTEMENTS TENDUS II
6. BATTEMENTS JETES
7. BATTEMENTS GLISSES
8. RONDS DE JAMBE A TERRE
9. BATTEMENTS FONDUS
10. RONDS DE JAMBE EN L’AIR
11. BATTEMENTS FRAPPES
12. PETITS BATTEMENTS
13. GRANDS BATTEMENTS
14. DEVELOPPES
15. GRANDS BATTEMENTS EN CLOCHE
16. STRETCHING


CENTRE

17. PORT DE BRAS
18. TEMPS LIE
19. BATTEMENTS TENDUS
20. ADAGE I
21. ADAGE II
22. PIROUETTES I
23. PIROUETTES II
24. PIROUETTES III - MAZURKA


ALLEGRO

25. WARM-UP
26. PETIT ALLEGRO I
27. PETIT ALLEGRO II
28. ALLEGRO I
29. ALLEGRO II
30. ALLEGRO III - POLONAISE
31. GRAND ALLEGRO
32. GRAND ALLEGRO - BOYS
33. MANEGE
34. TOURS EN L’AIR
35. CODA I
36. CODA II
37. CHAINES


POINTE

38. RISES
39. RELEVES I
40. RELEVES II
41. POSES


CENTRE

42. TEMPS LIE
43. ECHAPPES
44. PIROUETTES
45. COURUS
46. REVERENCE
47. FREE MOVEMENT I
48. FREE MOVEMENT II


The main purpose of this collection is to offer a vast choice of compositions for the
classic dance free class.
I hope this can be helpful to beginner pianists in this fascinating world and at the
same time promote their research in impromptu elaboration; condition that cannot be
ignored by aspirant professionals.
The metronom indications and the expressions signs together with the destination of
the musical pieces in relation to the exercises, should never be considered absolute,
but rather open to many changes according to the several needs which could develop
during the course of the class.

La presente raccolta ha come principale scopo quello di fornire una proposta di
composizioni per la classe libera della danza classica.
Mi auguro possa essere d’aiuto per i pianisti all’esordio in questo affascinante
mondo, e allo stesso tempo possa incentivare la loro ricerca di una elaborazione
estemporanea, condizione imprescindibile per coloro che aspirino al professionismo.
Le indicazioni metronometriche e i segni d’espressione, unitamente alla destinazione
dei brani rispetto agli esercizi non devono considerarsi assolute, bensì suscettibil

Upload date: 06 Jul 2022